Awaken my love11/1/2023 The concert festival was to debut the album and give the audience the "full-album experience". The app then showed the dates of his upcoming performances in Joshua Tree, where the user could also purchase tickets. The app then had the user crash down from space, placing them on a map that was located on Joshua Tree, California. The app itself placed the user in outer space looking at a small blue planet while a clock counted down to zero. On June 17, 2016, after a hiatus from social media, Glover tweeted "pharos.earth", a link to download his new app. The single "Redbone" also earned nominations for Record of the Year, Best R&B Song, and won the Grammy Award for Best Traditional R&B Performance. It received Grammy Award nominations for Album of the Year and Best Urban Contemporary Album at the 2018 Grammy Awards. The album was supported by three singles, " Me and Your Mama", " Redbone" and " Terrified". "Awaken, My Love!" received generally positive reviews from critics and debuted at number five on the US Billboard 200. The album was produced by Glover and his longtime collaborator, Ludwig Göransson. Consisting of tracks being sung rather than rapped, its fusion of psychedelic soul, funk and R&B influences was considered a bold departure from the predominantly hip hop style of his prior work. It was released by Glassnote Records on December 2, 2016. Maybe he’ll figure out how to smuggle Donald Glover’s heart into Childish Gambino’s brain eventually, but if he hasn’t figured out what he wants out of Childish Gambino yet, it’s increasingly rewarding watching him try."Awaken, My Love!" is the third studio album by American recording artist Donald Glover, under his stage name Childish Gambino. There are times, however, when that nodding feels more like mimicry than anything else. That same on-paper ability is what makes “Awaken, My Love!” a well-executed project: He has clearly absorbed a great deal of musical history, as the album nods to Parliament-Funkadelic, Sly and the Family Stone, Rick James, Prince, and more. (“Fandango my mandingo, we should do a movie” from a 2012 track with Danny Brown, for example.) Rarely did he make a song about anything, and those zingers were plain obnoxious. As a rapper, he almost sounded the part: Take a step back, and there he was, rapping fast, switching up flows, delivering (too many) punchlines. He’s skilled enough to figure out how to excel at something, and, for the most part, look like he knows what he’s doing. It sounds like “Kokomo” for the “ Hotline Bling” era, or maybe Ween covering Sublime’s “Caress Me Down,” and its inclusion is entirely baffling, considering the sonic cohesion of the rest of the project.ĭonald Glover’s greatest talents remain his tragicomic touch as a screenwriter and his ease with performance. “California,” a cringey tropical parody complete with fake patois, sticks out for the wrong reasons. There are also a few indistinguishable tracks that feel like funk retreads “Have Some Love” sounds uncomfortably close to “ Can You Get to That” from Funkadelic’s Maggot Brain. On “Have Some Love,” he limply advises the audience to “really love one another.” The song called “Riot” isn’t exactly riotous: He screams a little, but only for the sake of fulfilling a pre-ordained funk yelp quota-nothing in the song seems to have moved him to shrieking. Too much of the rest, though, simply nods to sentiment without producing any. It’s a love song, which has always been Glover’s forte, whether on Because the Internet’s “ 3005,” “ Telegraph Ave,” or Camp’s “ L.E.S.” The same goes for the open-hearted “Baby Boy,” possibly inspired by the birth of his son. These songs dig into something that feels unique to Glover’s heart, not just his record collection. The tracks are embellished with intricate details throughout, like the delicate xylophone on “Terrified.” “ Redbone” builds from a slow jam into a peak of futuristic guitar and forceful staccato piano chords. Its imagery (“This is the end of us/Sleeping with the moon and the stars”) might be vapid, but the intensity of Glover’s singing compensates, as does the ripping electric guitar. The album’s first track and lead single, “Me and Your Mama,” is a satisfying slow burn that shows off Glover’s impressive falsetto. Like the cosmic soul it emulates, the atmosphere is lush, full of period ambiance worthy of a high-end television set. The album’s production is majestic, aiming squarely for the cosmos depicted on its striking cover artwork.
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